There are artists who make songs—and then there’s Jack Taylor, who makes soundtracks for entire moods. Every track he releases feels like a glimpse into a larger world: one built from heartbreak, ambition, rage, and cinematic drama. “I approach music like a film score,” Jack says. “Even when it’s a rap record or an EDM drop, I want it to feel like you’ve just stepped into a scene.” This approach didn’t come from nowhere. His musical roots run deep into the past, shaped by the drama and storytelling of classic rock legends like Led Zeppelin and Pink Floyd. But it was his obsession with modern lyricism and emotional electronic production that forged his current sound. Jack is what happens when you take a rock kid, teach him to produce like a festival headliner, and give him a mic in the middle of a storm. His tracks are bold but intricate. His writing is personal but packaged with theatrical edge. It’s not just music—it’s mythmaking. “I don’t just write bars—I build moments,” he says. “Sometimes it’s intense. Sometimes it’s ambient. Sometimes it’s just weird. But it’s always mine.” This DIY mentality is what sets Jack apart. He’s not just a rapper or producer—he’s the architect behind every release. And with Villain: Side B queued up, that architecture is growing more complex and more immersive. But that’s not all. Jack is also quietly developing a contrasting project—one that’s brighter, warmer, and tailor-made for summer. “It’s more laid-back, but still emotional. Just a different flavor of the same world.” Jack’s collaborators remain close-knit—a crew of MCs and creatives who help sharpen the vision—but make no mistake: this is his universe. And with each new track, that universe expands. “Right now, I’m focused on building from the ground up. This isn’t about chasing trends—it’s about creating something that lasts.” Jack Taylor is more than an artist. He’s a storyteller, a designer, a director. And this is just the beginning of the saga.